FB1众：纽特、雅各布、蒂娜、奎妮、格雷夫斯、皮奎里、克雷登斯等

Foreword 前言

——by Eddie Redmayne 埃迪·雷德梅恩著

Newt is an outsider. He is someone who has an amazing emotional relationship with his creatures but is perhaps less capable with human beings. He is an man of passion and keen interest, but at the same time he is no pushover. Over the course of the film he learns to connect and become closer to the people around him. He keeps his relationship with his beasts quite discreet; most of it happens down in his case, or in the solitude of his travels around the world. There are moments in the film where the people around him find him eccentric, complicated, knotty and difficult, but they see in hisrelationship with the creatures that he has a large heart.

纽特是局外人。他是一个与自己的生物有着令人惊叹的情感关系的人，但与人类相处的能力却较弱。他是一个充满激情和有着浓厚兴趣的人，但与此同时，他也不是任人摆布的人。在电影的过程中，他学会了与周围的人建立联系并变得更加亲密。他与野兽的关系保持谨慎。大多数情况下都发生在他的箱子里，或者发生在他孤独的环游世界之旅中。在电影中的某些时刻，他周围的人觉得他古怪，复杂，棘手和困难，但从他与这些生物的关系中，他们看到他心胸宽广。

There is a real child-like quality to Newt and it's something that binds Tina, Jacob, Queenie, and my character together over the course of the film. There is a child-like wonder to all four of them and a passion for life,and for Newt that means his beasts. You feel as if he's been obsessed with these creatures from an early age. These beasts are his escape form reality. And yet they are their very own reality - they need to be fed regularly and there is a sense of ritual about that. They need to be constantly looked after.They are his children in some ways.

纽特有一种真实的孩子般的特质，在电影的整个过程中，蒂娜，雅各布，奎妮和我的角色都因此联系在一起。他们四个都有孩童般的美好，对生活充满了热情，而对于纽特来说，这份热情意味着他的野兽。你会觉得他从小就对这些生物着迷。这些野兽是他对现实的逃避。然而，它们也是它们自己的现实——需要定期给他们喂食，这有一种仪式感。他们需要不断得到照顾，它们在某种程度上是他的孩子。

What was wonderful about working on Fantastic Beasts was getting to dive into J.K Rowling's world, a world that's so rich and deeply imaginative.But the challenge was to make it as real as possible. Particularly in regard to all these extraordinary creatures, I wanted to make sure Newt had a unique relationship with each and everyone as one would with different children. They are the only things he truly cares about. This is until this story begins and his world changes...

拍摄神奇动物的奇妙之处在于去深入了解J.K.罗琳的世界，这个世界是如此丰富且富有想象力。但是，挑战在于如何使其尽可能真实。特别是对于所有这些非凡的生物，我想确保纽特与每只生物都有独特的关系，就像对待不同的孩子一样。它们是他真正关心的唯一事物。直到这个故事开始并且他的世界改变了...

Introduction 简介

"It was utterly charming and had some very beautiful themes which I felt were typically Jo," Yates continues. "I felt connected and invested in the four central characters, all of whom are like grown-up children. They're all quite pure. They're all quite innocent." 

“这部电影非常迷人，其中一些非常美丽的主题我觉得很有乔的特色。”耶茨继续说道.“我感到与四个中心人物有联系并投入其中，他们都像长大的孩子一样。他们都很单纯，都很天真。”

"I think that right now, where we are in history, in the present, outside movies, people are very attracted to the idea of drawing lines and of categorizing," says J.K.Rowling. "And it is such a dangerous thing to do, to stop listening and to draw a line around a group, and say, 'You're wrong, you're inadequate, you're insufficient and you should be treated thus.'So that's at the heart of most of what I write and it's certainly at the heartof this movie."

“我认为，我们在当下的历史时期，电影之外，人们对划分界限和分门别类的想法非常着迷。” J.K.罗琳说。“做这些事情很危险：停止倾听并在群体周围划一条线，然后说：‘你错了，你不足，你有缺陷，所以应该受到这样的对待。’因此，这是我撰写的大部分作品的核心，当然也是这部电影的核心。”

 

Newt Scamander 纽特·斯卡曼德

He's an oddball,' says Eddie Redmayne. "He's got his own agenda. He's got his own interests and he lives his own life. In many ways he's not a people pleaser. He is a man who feels more at home with creatures then he doeswith human beings."

“他是个怪人，”埃迪·雷德梅恩说。“他有自己的计划，有自己的兴趣，过着自己的生活。从许多方面来说，他不是一个讨好别人的人。比起人类的相伴，他和动物在一起更自在。”

I had a really clear idea of who he was," says J.K. Rowling."Slightly awkward in his own skin, when in human company. In the animal world, though, suddenly completely at home. He has a quiet bravery."

“我很清楚他是谁，”J.K.罗琳说，“与人类陪伴时，对自己感到稍许尴尬。但在动物界，一下子感到完全舒适。他有种沉静的勇敢。”

"Everybody thinks he's nuts because they're dangerous, scarythings," says director David Yates. 'Nobody thinks beasts are a good idea to get involved with;they can kill you, they can poison you. So he's a unique character. There's something really sweet and endearing about him."

“每个人都认为他是疯子，因为它们是危险的，令人恐惧的事物。”导演大卫·耶茨说。“没人认为和野兽打交道是个好主意。他们可以杀死你，可以毒死你。所以他是一个独特的角色。他有很可爱讨喜的品质。”

"He sees the wonder and the brilliance in these animals," says Redmayne, "and believes the wizarding community, with a proper education, could learn to live side-by-side with these animals and appreciate how extraordinary they are."

“他看到了这些动物的奇妙之处和光辉，”雷德梅恩说。“相信巫师界可以通过适当的教育学会与这些动物共同生活，并欣赏它们的非凡之处。”

"He's never been to New York," says producer David Heyman. "He's never seen steam coming up from the underground. He's never seen this much traffic in his life. He's never seen a city as vital as New York, and so he is very much a fish out of water."

“他从未去过纽约”。制片人大卫·海曼说。“他从未见过地下涌出蒸汽，从未见过如此忙碌的交通。他从未见过像纽约一样关键的城市，因此他像一条出水之鱼。”

"The fact that he is an Englishman in New York really adds to the layer of otherness," says Carmen Ejogo who stars as MACUSA President Seraphina Picquery, "and he is the perfect embodiment of [that] otherness. He's certainly not your typical hero. He comes with foibles and insecurities and all kinds of messiness, from the costume to the hair to the mistakes hemakes throughout."

“他是身在纽约的英国人，这确实增加了异类的感觉。”饰演MACUSA主席瑟拉菲娜·皮奎里的卡门·埃约戈说。“而他是这种异类的完美体现。他当然不是你的典型英雄。他带有脆弱性，不安全感和各种混乱，从服装到头发再到他在整个过程中犯的错误。”

"New York, even now, is the most frenzied, wonderful, noisy and colorful of places," says Redmayne. "And for him, having spent a year by himself, suddenly stepping foot into this city, there's a wonder and acuriosity to everything around him. He sees what's in front of him in theworld. He takes everything at face value, which I love."

“即使是现在，纽约仍然是最疯狂，最美好，最嘈杂，最丰富多彩的地方。”雷德梅恩说。“对他来说，独自度过了一年之后，突然走进这座城市，他对周围的一切都充满了惊叹和好奇。他看到了面前的世界。他接受了所呈现的一切，我爱这一点。”

"There's this odd, buddy movie quality to these two people who couldn't be more different," says Redmayne of Newt and Jacob. "With Tina, it's a slow build connection. These two people are outsiders, yet passionate, and begin to glimpse and find each other. Friendship is the core of this quartet who start in completely opposite directions and end up as friends.That camaraderie is an essential element."

“这两个完全不同的人在一起有种奇异、好朋友电影的特质。”关于纽特和雅各布的关系雷德梅恩说。“与蒂娜建立关系是缓慢的。这两个人是局外人，但充满热情，并开始瞥见并找到彼此。友谊是四人组的核心，他们从完全相反的方向开始，最终成为朋友。这种友谊是必不可少的要素。”

Newt's Manuscript 纽特的手稿

The graphics team created a copy of Newt's Fantastic Beasts manuscript complete with typed pages and "erratic sketches," as well as correspondence between himself and his publisher Obscurus Book. And, as requested by J.K. Rowling, they also fashioned a Bestiarium Magicum. "She wanted a bestiary, which is a medieval tome on the accounting of animals,"reveals Mina. "It's the only Bestiarium in existence," notes fellowg raphic designer Eduardo Lima. "Fantastic Beasts and Where to Find Them is intended to replace this one."

图案设计团队设计了一份纽特的《神奇动物》手稿，包括打上字的页面和“凌乱的草图”，以及他本人和他的出版商默默然书局之间的通信。并且，按照J.K罗琳的要求，他们还制作了魔法生物集。“她想要一个动物图鉴，这是中世纪记录动物的大本书，”米娜回忆。“这是目前唯一的动物集，”平面设计师艾多尔多·利马指出。“《神奇动物在哪里》意在替换它。”

纽特的服装

Whenit came to Newt, Atwood knew immediately what he should wear. "He's been living in the wilderness. He adapts everything to what he needs, but he has to blend with the real world. It was about using the silhouette of the period, but making his clothes a little mismatched and a little ill-fitting. So I chose a dirty peacock blue for his coat. That was his defining silhouette. A cooler tone on top with warmer tones underneath."

对于纽特，阿特伍德立刻知道他应该穿什么。“他一直住在荒野。他根据自己的需要调整了一切，但必须与现实世界融为一体。这在于使用那个时期的轮廓，但是使他的衣服有点不匹配还有一点不合身。因此，我为他的外套选择了脏孔雀蓝。那是他决定性的轮廓。外面的色调更冷，里面则有较暖的色调。”

And much like a magician's, Atwood designed Newt's coat with all manner of secret pockets. "He keeps pets in there. He has some of his medicines in there. We probably see very little of it, but it was fun to develop and playwith. Eddie's a great collaborator and so everything was designed to work with the character he was creating physically as well as aesthetically."

阿特伍德设计了纽特的外套，就像魔术师一样，上面有各种秘密口袋。“他把宠物放在里面。里面有一些药。我们可能很少看到它，但是探索和尝试很有趣。埃迪是一个很好的合作者，所以一切都旨在与他在肢体以及审美上创造的角色相称“。

"It was wonderful working with Colleen," says Eddie Redmayne. "Finding out what men were wearing, then finding the offbeat and exploring this coat which is a massive element of Newt's character. He reallyonly wears one outfit the whole way through, but the collar pops and the trousers go into his boots, and there's a slightly eccentric, nerdy quality to him,although he looks a bit more like an adventurer by the end."

“与科琳合作真是太好了，”埃迪·雷德梅恩说。“发现男性的穿着，然后找到另类的衣服，然后探索这件外套，这是纽特性格中巨大的一个元素。他确实从头到尾只穿一身衣服，但衣领竖着，裤子扎进他的靴子里，他有种些许怪异，书呆子的品质，尽管最后他看上去更像一个冒险家。”

Inside Newt's Case 纽特的箱子

When J.K. Rowling saw their first pass at the environment, she told the design team it was "too epic, too ambitious. It's much smaller," recalls Power. "Jo felt it was great, but that a wizard more powerful than Voldermort would be needed to create [it]," remembers Manz. "Newt's a good, talented wizard but he wouldn't be able to create what he had done, which was an enormous reality. "

当罗琳看到了他们第一次对环境的设计时，她告诉设计团队“太史诗了，太雄心勃勃了。这个地方小得多，”保维回忆道。“乔认为很棒，但是需要比伏地魔更强大的力量来创造它。”曼兹回忆说。“纽特是一位出色的，有天赋的巫师，但他无法创造出自己那样的成果，那是一个巨大的现实。”

So Power started reworking the environments to make them "slightly off, slightly chuncky." Eventually arriving at a series of designs that were "more homemade, more Heath Robinson"according to Burke. "Newt loves animals so much he's gone to great trouble of creating these worlds, but doesn't see his career as that. He's just pleased the animals are happy. So the environment are individually designed for each creatures, but all share alanguage that relates to Newt and the 1920s."

因此，保维开始重新设计环境，以使它们“略微有些奇怪，有点拥堵”。最终获得了一系列根据波克描述的“更自创，更希思·罗宾逊”的设计。“我们想到的是这种功能失调的魔法。”  保维继续说道。“纽特非常爱动物，他在创造这些世界方面付出了巨大的努力，但并不认为自己的职业生涯在于此。他只是很高兴动物是快乐的。所以环境是为每种生物单独设计的，但是所有人都有共同的语言与纽特和1920年代联系起来。”

It was decided too that the atmosphere of each habitat would leak into those around it. That weather bleeding was also designed to serve as kind of subtextual explanatory as to how the animals might escape. Partly because they're not caged and therefore free to roam, and partly because the magic Newt used to contain them isn't powerful enough. 'The magic he's using is a bit like him," laughs Manz," a bit shambolic."

还决定了每个栖息地的大气都会泄漏到周围的环境中。设计环境的融合也能当做解释动物如何逃逸的潜台词。部分原因是它们没有被关在笼中，因此可以自由漫游，部分原因是纽特用来容纳它们的魔法不够强大。“他使用的魔法有点像他，”曼兹笑着说，“有点乱糟糟的。”

Newt's Shed 纽特的小屋

This is Newt's home away from home. More than just a place from which he tends his animals, it's a refuge, a retreat, says Craig. "And Newt is a very independent character being solitary seems to be a necessarypart of life at times and so we gave him a shed. He has a workbench. He has a bed under the bench. He has a stove, an armchair. It is a great place for a man like Newt to be alone."

这是纽特的家外之家。这里不仅是他饲养动物的地方，它还是一个避难所，一个隐居处，克雷格说。“纽特是一个非常独立的角色，孤独有时似乎是生活中必不可少的一部分，所以我们给了他一个棚子。他有一个工作台。他在长椅上有一张床。他有炉子和扶手椅。对像纽特这样的人来说，是一个独自待着的好地方.”

The interior of Newt's shed is his most personal space. "It really is his character described in the most intricate physical terms,"says Eddie Redmayne.

纽特棚屋的内部是他最私人的空间。“这确实是物理层面上对他的角色最精妙的描述，”埃迪·雷德梅恩说。

Like Newt, it's a little messy, a tad askew and chockfull of stuff. "Theinterior was one of the few opportunities for the props to convey the world of Newt and his personality," explains set director Anna Pinnock. "The idea was developed from a standard garden shed which was a adapted and distorted in dimension to create an unusually tall, narrow and extremely confined space, dressed to suit Newt's other-worldly and eccentricpersonality."

因此，它包含了他的热情和个性的线索。像纽特一样，有点混乱，有点杂乱无章，塞满了东西。“内饰是用道具传达纽特的世界和他的个性的少数机会之一。”布景总监安娜·平诺克解释说。“这个想法从一个标准的花园中改装而来，该花园经过改建并变形为二维空间，以创造一个异常高大，狭窄且极为拥挤的空间，装点得符合纽特超脱尘世和奇特的个性。”

"We wanted to suggest Newt had travelled extensively in both the real and fantasy world," Pinnock continues，"so we introduced ethnic pieces, agricultural and zookeeper's tools with a great variety of unusual containers and receptacles."

“我们想显示纽特在现实世界和幻想世界中都环游旅行过，”皮诺克继续说，“因此，我们引入了各民族的物品，农业和动物管理员的工具，以及多种多样的不同寻常的瓶瓶罐罐。”

It might be my favourite thing on the film, watching [Newt] engage with the animals because each relationship is different and he has developed ways of communicating with them," recalls Fogler. "Some animals he has more of a personal connection with or a more intimate connection, but he cares for all of them so much, and it's one of the things that catches Tina'seyes, his relationship with the animals."

“看纽特与动物互动可能是我在电影中最喜欢的东西，因为每种关系都不相同，而且他已经发展出与动物交流的方式，”福格勒回忆说。“与有些动物他有更私人的联系，或更亲密的关系，但他对所有动物都很关心，这也是吸引蒂娜目光的事物之一，他与动物的关系。”

Thunderbird 雷鸟

"He's very much a American bird,"says Eddie Redmayne. "When I find him before the film starts, he's in Egypt, where he had been trafficked, because Thunderbirds are incredibly valuable. He has this extraordinary quality that he can sense danger. Also his mood is reflected by the weather, so if he is frightened or excited then the rain pours." 

“他是属于美国的鸟，”埃迪·雷德梅恩说。“当我在电影开始前找到他时，他被贩卖到埃及，因为雷鸟价值不菲。他具有可以感觉到危险的非凡品质。天气也反映他的心情，所以如果他感到害怕或激动，就会下倾盆大雨。”

White in color with multiple shimmering wings, a gold beak and eyes,the Thunderbird was based on an early Occamy concept. "The idea was that the's the all-America eagle. You could imagine him at the top of a totem pole,"says VFX supervisor Christian Manz.

雷鸟基于早期的蛇鸟概念，颜色为白色，长着多个闪闪发光的翅膀，金色的喙和眼睛。“想法是他完全是只美国鹰。你可以想象他在图腾柱的顶端，”视效指导克里斯蒂·曼兹说。

纽特的档案

NAME: Newton Artemis Fido Scamander

姓名：牛顿·阿特弥斯·菲多·斯卡曼德

AGE: 29

年龄：29

RESIDENCE: England, United Kingdom

居住地：英国，伦敦

APPEARANCE: Hair: dark; Eyes: green/blue; Built: Tall and slim.

外表：头发：深，瞳：绿/蓝；体型：高瘦。

OFFENSE: Illegal possession of a magical beast causing endangerment of human life and violation of Animal Welfare Laws 101/304.

罪行：非法持有魔法生物，导致危及人类生命以及违反动物福利法101/304

DATE: 1913

日期：1913

LOCATION: Hogwarts School of Witchcraft and Wizardry, UnitedKingdom

地点：英国，霍格沃兹

LEVEL: 3

级别；3

WITNESSES: Multiple.

目击者：多人。

NOTES: Proposed expulsion from Hogwarts School of Witchcraftand Wizardry due to the illegal possession of a magical beast causing endangerment of human life and violation of animal welfare laws 101/304.

注释：因非法持有魔法生物，导致危及人类生命以及违反动物福利法101/304，提议从霍格沃兹开除。

Magical Beast: Jarvey, Level 3

魔法生物：魔貂，级别3

Punishment: Expulsion from Hogwarts School of Witchcraft and Wizardry.

惩罚：从霍格沃兹开除

The expulsion was never enforced - Hogwarts Professor Albus Dumbledore defended Newton resulting in his name being cleared.

—开除并未执行—霍格沃兹教授阿不思·邓布利多为牛顿辩护，结果他的罪名被清除。

* The Ministry of Magic Animal Welfare Department were also informedof the violation and required to rehouse the magical creature.

*魔法部动物福利部门得知该违法行为，被要求重新安置魔法生物。

 

Jacob Kowalski 雅各布·科瓦尔斯基

"One of the more delightful aspects of the story is that you're taken in to it by Jacob," says David Yates. "And we are Jacob. We experiencedmany of these things from his point of view. And he's delightful."

“雅各布带你走进去是这个故事最令人愉快的方面之一。”大卫·耶茨说。“我们就是雅各布。我们从他的角度经历了许多事情。他令人愉快。”

Employed in a canning factory and living in a tenement on Manhattan's Lower East Side, Jacob has only just returned to the United States from France after serving in World War 1, a conflict that ended eight years before.

雅各布受雇于一个罐头厂，住在曼哈顿下东区的一个租户中，在第一次世界大战中服役后才刚刚从法国回到美国，这场冲突在八年前就结束了。

"He's literally the last guy back. Like no one told him it was over," laughs Dan Fogler who plays him. "Now he's looking to start afamily and goes to the bank to get a loan to open a bakery."

“他是字面意义上最后一个回来的人。没有人告诉他一切都结束了。”扮演他的丹·福格勒笑着说。“现在，他正在期待着组建家庭，并去银行贷款以开设一家面包店。”

After Newt arrives, the two men strike up an unlikely friendship as Jacob joins him on his quest to track down his missing creatures. "I become Newt's Sherpa, his guide to the city, because he doesn't know New York," explains Fogler.

纽特到达后，当雅各布和他一起追寻他失踪的生物时，两人建立了一种看似不可能的友谊。“我成为纽特的向导，他的城市向导，因为他不熟悉纽约，”福格勒解释说。

"That's kind of like the Sherlock/Watson origion story. These two guys from very separate parts of the spectrum coming together. I teach him how to be a person with people. Newt introduces me to his magical, amazing, fantastic world. The Sherlock Holmes and Watson aspect really spoke to me. This is a fairy tale with wizards and witches and crazy creatures. Jacob becomes incredibly fascinated wtih this other universe."

“这有点像夏洛克和华生的起源故事。这两个性格完全不同的家伙聚在一起。我教他如何与人交往。纽特向我介绍了他魔法、神奇、梦幻般的世界。夏洛克·福尔摩斯和华生的感觉传达给了我。这是一个童话，有着巫师和疯狂的生物。雅各布对另一个世界变得异常着迷。”

"Queenie is an angel," says Fogler. "The two of them start to fall in love and it gives Jacob a real reason to stick around, but in the wizarding world there are strict laws that say we're not allowed to be together. It's forbidden, which mirrors the racism of the time. It's really beautiful how J.K Rowling parallels all these cultural issues in the story."

“奎妮是天使，”福格勒说。“他们两个开始坠入爱河，这给了雅各布一个真正留在身边的理由，但在巫师界，有严格的法律规定我们不允许在一起。这是被禁止的，这反映了当时的种族主义。JK罗琳影射故事中的所有文化问题的方式真是太美妙了。”

"[When] Jacob gets thrown into this magical adventure, he can't quite believe it," says producer David Heyman. "Things haven't gone his way. However, he has always remained an enthusiast, full of possibility, believing in the possibilities of life and when he encounters these magical folk, he sees a whole world he could have never imagined."

“当雅各布投入这场神奇的冒险时，他简直不敢相信。”制片人大卫·海曼说。“事情并没有如他所愿。但是，他始终是一个充满热情的人，充满可能性，相信生活的可能性，当他遇到这些不可思议的人时，他看到了一个他无法想象的世界。”

雅各布的服装

Jacob's clothes are much more rumpled and baggier, again are flection his character. "Jacob's what you'd describe as a schlub,"notes costume designer Colleen Atwood. "We meet him trying to get a loan from a bank and while most men of that era wore a tie, pulled themselves together, and had a suit that looked like presentable, Jacob has so little money he has to buy used clothes. But because of his shape, they don't fit." Also, he doesn't own a coat. "I  add it on purpose. There's a poverty to not having a coat in the coldness."

雅各布的衣服更加皱巴巴、松垮垮的，这也反映了他的角色。“雅各布就是你们所描述的伙计。”服装设计师科琳·阿特伍德指出。“我们遇到了他的时候，他试图从银行获得贷款，而那个时代的大多数男人都系着领带，拾掇自己，穿上看得像样的西装，但雅各布几乎没钱，只好买二手衣服。但是因为他的体型，它们都不适合。”另外，他没有外套。“我故意加了这一点。在寒冷中不穿外套反映了贫穷。”

 

Porpentina Goldstein 波尔蓬蒂娜·戈德斯坦

Porpentina Goldstein, or Tina for short, works in the Wand Permit Office of the Magical Congress of the United States of America having been recently been demoted from her position as an Auror in the Investigations Department for an infraction that resulted in her exposure as a witch to No-Majs.

波尔蓬蒂娜·戈德斯坦，或简称蒂娜，在美利坚合众国魔法国会魔杖许可证办公室工作，最近因其暴露女巫身份给麻鸡的违规行为而被剥夺了在调查部担任傲罗的职务。

"She broke the rules in order to protect someone who was introuble," explains actress Katherine Waterston of Tina who also has to wear an Admonitor bracelet as a result of her recklessness. "Though she's really proud to be a part of MACUSA and dreams of succeeding there, when push comes to shove she will abandon the rule book. I found it really touching. She loves the rules, but if someone's in trouble, she can't help herself.

“她为了保护遇到麻烦的人而违反了规则。饰演不得不戴上劝诫者的蒂娜的女演员凯瑟琳·沃特斯顿解释说。“尽管她对作为MACUSA的一员感到非常自豪，并且梦想着在这里成功，但是当受到动力驱使时，她会抛弃规则。我觉得这真的很感人。她热爱规则，但是如果有人遇到麻烦，她就会情不自禁这样做。

"She is a bit of a loner, and is underappreciated," says producer David Heyman. "She's really good at her job but has been demoted. Ultimately though, her instincts are proved right."

“她有点独来独往，没有得到足够的赏识。”制片人大卫·海曼说。“她确实很擅长自己的工作，但被降职了。不过最终，她的直觉被证明是正确的。”

When Tina first meets Newt in Fantastic Beasts and Where to FindThem, their interaction couldn't be any less romantic: she arrests him in an alleyway outside Steen National Bank and brings him to MACUSA for processing."My general sense of who he is at the beginning is he's dangerous and untrustworthy, and probably kind of cute," laughs Katherine Waterston."Part of what I love about Tina is she's flawed and often doesn't achieve what she is pursuing or things don't work out for her [like] she hopes. But she is good at her job and the moment she sees Newt she knows something is going on, even though she doesn't exactly know what. And that, to me, was the first clue that she's not a total disaster. She has good instincts. She knows she has a lot of potential, but can't seem to convince people of it.

蒂娜在《神奇动物在哪里》中与纽特第一次相遇时，他们之间的互动一点也不浪漫：她在斯蒂恩国家银行外的一条小巷中将他逮捕，并将他带到MACUSA进行处理。“一开始我对他的大体认识是：他很危险，不可信，而且可能有点可爱。”凯瑟琳·沃特斯顿笑着说。“我喜欢蒂娜的部分原因是她有缺点，常常无法实现自己追求的目标，或者对她来说并不如她希望的那样成功。但是她擅长自己的工作，一见到纽特即使她并不完全知道发生了什么，她也知道发生了些事情。对我来说，这是她不是彻底的灾难的第一个线索。她有很好的直觉。她知道她有很大的潜力，但是似乎无法使人们信服。

"I think Newt sees that potential in her," she continues."That's a lot of what falling in love is, you feel someone else recognizing what you have to offer. As their relationship evolves, she sees what's motivating him, and then you start to notice they are both very passionate about what they do, they are both a little stunted, not very good at expressing themselves, and you start to see the reasons why they have become that way. He's very isolated in his work. She is taking care of her sister because they lost their parents when they were young. They're two people who really haven't had too much time to have a good time. In contrast to Jacob and Queenie who are much freer."

“我认为纽特看到了她的潜力。”她继续说。“这是坠入爱河很大的一部分，您感觉另一个人意识到你能给予的东西。随着他们之间关系的发展，她看到了什么激励着他，然后你开始注意到他们都非常热衷于自己的工作，他们都有点成长不足，不善于表达自己，你开始看到他们变成这样的原因。他孤立于他的工作中。她要照顾她妹妹，因为他们年幼时就失去了父母。他们两个人真的没有太多时间来度过美好的时光。与之相比，雅各布和奎妮要自由得多。”

Tina lives with her sister, Queenie (actress-Alison Sudol), who also works at MACUSA, in a brownstone in Midtown Manhattan. Being orphans, they look out for each other as best they can. "They parent teach other in different ways - they are very different women," says Waterston. "I'm a bit more the father and she's bit more the mother. She's got a very generous maternal quality. She cooks beautiful, elaborate meals. And maybe in their loneliness they've fallen into that dynamic [of] where I'm trying to be the breadwinner and she's doing the ironing. On some level it's a throwback relationship. On another level they're like two kids in their bunk bed."

蒂娜和她的妹妹奎妮（女演员艾莉森·苏多尔）住在一起，后者也在MACUSA工作。作为孤儿，他们会尽力互相照顾。“他们以不同的方式当彼此的父母，他们是非常不同的女人。”沃特斯顿说。“我像父亲更多一点，她像母亲更多一点。她有很体贴的母性。她烹制精美、精致的饭菜。也许在孤独之中，他们形成了这种关系：我努力成为养家糊口的人，她做家务。在某种程度上，这是一种传统的关系。另一种层面上，他们像两个睡上下铺的孩子。”

"Katherine plays the darker side of the sisters," says Fogler, whose character Jacob falls for Queenie. "She's more cerebral, but also has this great vulnerability. Katherine's a fantastic actress and what she brings to the role is a very specific sensitivity, but also strength. Each one of them is trying to find themselves. They're all fish out of water; quirky misfits who form this little family. And each one has something that is beneficial to save the day."

“凯瑟琳扮演姐妹中更黑暗的那一个，”福格勒说，他的角色雅各布爱上了奎妮。“她更加聪明，但是也有很大的脆弱。凯特琳娜是一位出色的女演员，她扮演的角色有非常具体的敏感性，但也有力量。每个人都在努力寻找自己。他们都如出水之鱼。每个人都有一些有助于让情况转危为安的品质。”

"You have these two sisters who have raised each other and so we have a very deep bond," says Sudol."But it's an isolated and lonely life, and these two men come into our world and they're very, very different and exciting and intriguing and our lives are suddenly transformed within a night, being on the run and part of a gang. I think that's something we all want to do. We all want to be part of a gang."

“两个姐妹互相抚养，所以我们有着很深的联系。”苏多尔说。“但这是一种隔绝而孤独的生活，这两个男人进入了我们的世界，他们非常非常不同，让人兴奋，令人着迷。我们的生活在一个夜晚突然转变，成为逃亡者并成为团体的一部分。我认为这是我们所有人都想做的事情。我们都希望成为团体的一员。

Like Fogler with Jacob, Waterston found much to connect to with hercharacter. "I loved [Tina's] duality when I first read the script. She's a courageous coward. I found that easy to relate to. Most people are not one thing. We all have lots of different, often contradictory qualities bubbling to the surface all the time. We all [have] these different levels of fear and courage, confidence and desire."

像福格勒和雅各布一样，沃特斯顿发现了很多与她角色的联系之处。“当我第一次阅读剧本时，我喜欢上了蒂娜的双重性。她是一个勇敢的懦夫。我觉得这很容易共鸣。大多数人不是单一的。我们所有人所有时候都有很多不同的，常常矛盾的特质浮出水面。我们都有不同程度的恐惧和勇气，自信和欲望。”

"Katherine is very much like Eddie," notes director David Yates. "She can be deeply intense in a good way, and she can be very, very funny. She's got a great physical ability at comedy, which is quite rare. It's a really interesting range. I loved that combination."

“凯瑟琳非常像埃迪。”导演大卫·耶茨指出：“她可以很好地表现出强烈的紧张感，也可以非常非常有趣。她在喜剧方面有很强的肢体能力。这非常罕见。这是非常有趣的能力。我喜欢这种组合。”

"The thing I like about Tina is the complexity," concludes Waterston. "She's inconsistent, she has strengths and weakness and though she's sometimes quite courageous, she can also be intimidated by certain dynamics and situations. She's very soulful, she has a lot of heart, and a bit of ambition in the best sense of the word. She has a deep belief in herself but hasn't quite figured out how to [utilize it]."

“我喜欢蒂娜在于这种复杂性。”沃特斯顿总结说。“她反复无常，既强大也有弱点，尽管有时候她很勇敢，但某些态势和情况也会使她感到恐惧。她感情丰富，有很多的善心，而且从最好的意义上说，有一点野心。她对自己有很深的信念，但还没有弄清楚如何[利用]。”

蒂娜的服装

Tina's outfit, says Atwood, were determined by both her personality and the fact that she's been demoted from her position of an Auror at MACUSA and is trying to work her way back into favor with her bosses. "Tina is one of those quirky girls, a bit gawky, not quite there in her body. I made the decision to put her in trousers from the start, which was not so common in the period but did exist. She's hiding a lot, doing her own private eye thing, so I gave her a trench coat with a really big collar she could tuck her head behind."

阿特伍德说，蒂娜的衣服既取决于她的个性，又取决于她已从MACUSA的傲罗职位降职，并且正努力重新获得上司的青睐。“蒂娜是那些古怪的女孩其中之一，有些笨拙，感觉不是很自在。我决定从一开始就让她穿裤子，这在当时并不常见，但确实存在。她大多时候都在隐藏着，暗自观察，所以我给了她一件风衣，领子很大，可以把头挡在后面。”

蒂娜的身份证

Porpentina Esther Goldstein

波尔蓬蒂娜·以斯帖·戈德斯坦

Date of Birth：Aug.19th 1901

生日：1901年8月19日

Eyes: Brown

瞳：棕

Hair: Brown

头发：棕

Height: 5'8"

身高：173

L.Foot: 9 1/2"

左脚：40.5

Weight: 117lbs

体重：106

 

Queenie Goldstein 奎妮·戈德斯坦

"There's this lovely self-consciousness about her and a great youthful spirit," says Sudol. "She's not doing anything to be cute or get attention. She's trying to go from A to B, but Jacob inspires her to feel fun and playful. It's fun to let go of worrying about what people might think of you, and embrace being a kid [again]."

“她拥有美好的自我意识，和很棒的青年精神。”苏多尔说，“她没有做任何让自己可爱或引起注意的事情。她只是尝试从A到B，但雅各布启发她感受乐趣和好玩。放下担心人们会怎么看待你，并拥抱再次做一个孩子很有趣。”

And that's because people often underestimate Queenie, basing their opinion of her solely on her great beauty, a staggering oversight given she's Legilimence, or rather a witch or wizard with the ability to read minds. "She has within her a keen insight and an ability to not only read mind but have a clear understanding of what is going on," says producer David Heyman.

那是因为人们常常低估奎妮，对她的看仅基于她的美貌，鉴于她是摄神取念者，或者说拥有读取思想能力的男巫或女巫，这是一个惊人的疏忽。“她具有敏锐的洞察力，她的能力不只使读取想法，也对正在发生的事情有清晰的理解，”制片人大卫·海曼说。

 "anyone would fall for Queenie because she's gorgeous," reflecets Yates - and vice versa. 

“任何人都会爱上奎妮，因为她美极了。”耶茨说道—反之亦然。

When it came to casting Queenie, director David Yates admits to having real difficulty finding an actress to play her - until Alison Sudol walked in. "On paper Queenie is this glamorous, beautiful, exotic woman - all woman," he says.

对于奎妮的选角，导演大卫·耶茨承认要找到一位扮演她的女演员确实很困难——直到艾莉森·苏多尔出现。“剧本里奎妮是个迷人，美丽，充满异国情调的女人—完完全全的女人/最理想的女人，”他说。

"We saw the most glamorous, beautiful, exotic women for that role many, many of them, actually - and however many we saw, there was just something missing. Then Alison came in, and there was a purity and an innocence with what she did that was exceptional and clever, and actually is Alison."

“实际上我们为这个角色试镜了最迷人，最美丽，最有异国风情的女人，——但无论我们看了多少，始终缺少一些东西。然后艾莉森进来了，她纯洁而纯真，表演精彩且机灵，且实际上是艾莉森自己。”

"I call her 'Carolyn Monroe' because she looks like Marilyn Monroe's cousin," says Fogler of Sudol. "Luminescent. Angel face.She's got an amazing voice, [is] a great singer. And she's got this bubbly, effervescence about her that's perfect for that role."

“我称她为'卡罗琳·梦露'，因为她看起来像玛丽莲·梦露的表妹，”福格勒对苏多尔评价道。“容光焕发。天使般的面孔。她的嗓音非常动听，是一位出色的歌手。她的活泼欢腾非常适合这个角色。”

 "Queenie is incredibly delightful," says Sudol."She's really fun and playful and perceptive and empathetic and just very present. I find her very aware and unaware of herself at the same time, which I love. She's very excited and thrilled to be on this adventure, and everything that would scare most people is thrilling for her.”

“奎妮非常令人愉悦。”苏多尔说。“她真的很有趣，爱玩，有洞察力，有同理心，而且非常能感知当下。我爱她，她对自我很有意识同时也没意识。她对这次冒险感到非常兴奋和激动，让大多数人害怕的所有事情她都觉得刺激。”

奎妮的服装

As for Queenie, Atwood imbued Tina's sister's outfits with a sense of fun."There was an element of air and light to it that I liked for Queenie. I made her a coat she wears a lot. I hade it woven. And it took 30,000 feet of thread to make. It's all silk thread, different kinds of peach. It looked like a sunset or a sunrise. Underneath she wears a take on a witch's dress, but with a Twenties slant."

对于奎妮，阿特伍德使蒂娜妹妹的衣服充满乐趣。“奎妮的服装有种轻盈和明亮的元素，我很喜欢。我给她做了一件她经常穿的外套。它是编制而成的。花了30,000英尺的线。全都是丝线，不同种类的桃色丝绸，看起来像是日出或日落。她里面穿着女巫的裙子，但有20年代的风情。

 

Goldstein's Apartment 戈德斯坦公寓

The home Tina shares with her sister Queenie is a two-room apartmentspread over one floor of a brownstone. Originally written to be their mother's apartment, the styling is "more the taste of an older generation in its furnishing," Craig explains.

蒂娜与妹妹奎妮共住的房子是一套两居室的公寓，分布在一层布朗斯通公寓上。最初写着公寓是他们母亲的，但这种样式“在陈设上更像是老一代的口味”。克雷格说。

"It is very Victorian, the weight of everything, the weight of architectural detail. The fireplaces are huge- big ,big chunks of marble- in the style of those brownstones. We took that, we embraced it, and exaggerated it. That was the prominent feature: heavy architecture and dark, dark colors, and very Victorian in detail. It is principally two room with what is called apocket door, a sliding door in between the two. In our case, one was the living room and the back was a shared bedroom. The kitchen was one corner of the living space. It was a big house by definition but they had a very small part of it.They lived very modestly."

“那是维多利亚时代的建筑，所有东西的重量，建筑细节的重量都是如此。壁炉巨大，大块的大理石，就像那些布朗斯通公寓一样。我们汲取了并接受了这一点，将其夸大了。最显眼的特征是：深色的重型建筑，深色调，细节很具维多利亚风格，主要是两个房间，里面有一个所谓的口袋门，两个空间中的滑动门，在我们的设计中，一个是客厅，后面是一间共用卧室。厨房是起居室的一个角落。按定义，这是一栋大房子，但他们只住其中的一小部分。他们生活得非常简朴。”

 

Percival Graves 珀西瓦尔·格雷夫斯

 "He's very high up the command chain and is there to investigate anyone who is potentially detrimental to wizard-kind,trifling with Dark Arts," says Colin Farrell who plays Graves. "He would get involved if there was an attack against wizards from No-Majs as well. But it's mostly the maintenance, the protection and the upholding of the laws we have set forth in North America to protect wizard-kind. He's highly skilled, he's incredibly well trained, and incredibly powerful."

“他在指挥系统中处于很高的位置，并调查任何可能对巫师族群有害，与黑魔法搅和的人，”扮演格雷夫斯的科林·法瑞尔说。“如果有来自麻鸡对巫师的攻击，他也会参与其中。但主要是对于我们在北美制定的保护巫师族群的法律的维护，保护和执行。他技能高超，训练有素，极其强大。”

"Credence is a young man who, like so many young men, seems lost in life," says Farrell. "The world is a mystery to him, as he is a mystery to himself. There's a little bit of manipulation, a little bit of guidance, and a little bit of support and tenderness [in their relationship]."

“克雷登斯像很多年轻人一样，似乎在生活中迷失，”法瑞尔说。“世界对他来说是个谜，正如他对他自己是个谜。[在他们的关系中]有一点操纵，一点指导以及一点支持和温柔。”

格雷夫斯的服装

For Colin Farrell's high-ranking Auror, costume designer Colleeen Atwood opted not to dress him in typical wizard attire. "I didn't want togive him a robe. I wanted to do a slighly elegant, dandy thing with hiswaistcoat and collar. Colin [Farrell] is a beautiful man and I wanted to empower him, so I exaggerated things with huge spat boots and bigger shoulders, like a Joan Crawford shoulders. We hade different sizes for different shots. I also gave him a black and white clerical vibe and wanted his coat to have that sweep. I found this amazing cashmere that had a shine but not enough it looked blingy. He wore it well.

"对于科林·法瑞尔的高级傲罗，服装设计师科琳·阿特伍德选择不让他穿典型的巫师装。“我不想给他穿一件长袍。我想把他的背心和衣领设计得优雅，花哨些。科林[法瑞尔]是个美丽的男人，我想赋予他权力，所以我夸大了长矛靴和更宽的肩膀，例如琼·克劳福德的肩膀。我们为不同的镜头使用了不同的尺码。我还给了他黑白相间的牧师气质，想让他的外套有那种甩动感。我找到了这种令人惊艳的羊绒，虽然有光泽，但看起来还至于闪闪发光。他穿得很好。”

"Colleen did a lot of work for me," says Farrell."Really gorgeous threads. Great big long coat that bordered on being acloak. It had that priestly feel that was representative of [Graves']life, his ideologies and beliefs and discipline. Colleen killed it." And particularly the scene in MACUSA's Pentagram Office where hundreds of wizards and witches from all over the world have gathered to discuss the worseningthreat level in New York City. "There must have been two hundred actorsand extras all in different costumes," Farrell continues. "Wizardsfrom Hungary, from Mongolia, from Russia, from Thailand, from Ireland, and fromPakistan. It was amazing. They all had culturally relevant garb but with alittle wizarding flourish. It was like the craziest version of the United Colors of Benetton."

“科琳为我做了很多工作，”法瑞尔说。“非常华丽的线。一件大的长外套，很像是一件斗篷。牧师的气质代表着[格雷夫斯的]生活，他的意识形态，信念和纪律。科琳搞定了它。”特别是MACUSA五角办公室的场景，那里数百名来自世界各地的巫师齐聚一堂，讨论纽约市日益严重的威胁。“肯定有200名演员和群演穿着不同的服装，”法瑞尔继续说道。“有来自匈牙利，蒙古，俄罗斯，泰国，爱尔兰和巴基斯坦的巫师。真是太神奇了。他们都有着与文化相关的服装，但带点巫师气场。这就像全色彩贝纳通最疯狂的版本。“

 

Seraphina Picquery 瑟拉菲娜·皮奎里

Unlike the world of Harry Potter, the New York wizarding community that Newt finds himself in is one awash in fear and paranoia. "It's still very much a community that has yet to have full courage and conviction of its own power and presence," says Carmen Ejogo who plays the President of Magical Congress of the United States. "There is a lot of insecurity within the community - as to whether they should be given the same amount of respect and space as the No-Majs. That's the constant tension within the community whether they should stand up for themselves and be exposed or remain in the shadows."

与哈利·波特世界不同，纽特发现自己身处的纽约巫师界充满了恐惧和偏执。“这仍然是一个尚未完全鼓起勇气并坚定自己的力量和存在的社群，”扮演美国魔法国会主席的卡门·埃约戈说。“社群内部存在很多不安全感——关于他们是否应被给予与麻鸡相同的尊重和空间。这是社群内部持续的紧张态势，他们是否应该站起来维护自己，并暴露或是留在阴影中。”

Given that dilemma the responsibility of upholding MACUSA's Statue of Secrecy, often comes down to a political balancing act. "My essential task is to protect the wizarding community from being exposed because with exposure could come war and, potentially, the destruction of our community,"says Ejogo. "She's a politician at times, and with that comes the potential for being misunderstood. She has to some times play both sides. But she is passionate and committed to the community, and that is ultimately her objective, to keep them safe."

鉴于这种困境，维护MACUSA保密法的责任通常归结为政治平衡的作为。“我的基本任务是保护巫师社群免受暴露，因为暴露可能会引发战争，甚至可能致使我们的族群灭亡。”埃约戈说。“她有时是一名政治人物，因此有可能被误解。她有时必须扮演双方的角色。但是她充满热情并投身于社群，这最终是她的目标，就是确保他们的安全。”

 "Seraphina has quite the task on her hands," says Ejogo. "She is full of the willingness to be open to possibilities and not to be rigid and Puritan in her approach. At the same time, she's confronted by such an anomaly in Newt that even if his intentions are honest, she has no choice but to nip [him] in the bud. It'll be interesting to see how the audience takes to her dilemma ,because at times she has to do the thing the audience doesn't want to see happen to Newt and Tina. But that's being the head of MACUSA."

“瑟拉菲娜手上有很多任务。”埃约戈说。“她充满了对各种可能性持开放态度的意愿，而不愿意对自己的手段持僵硬和清教徒的态度。同时，她面临着纽特的如此反常，即使他并非图谋不轨，她也别无选择。看观众对她的困境会如何反应很有趣，因为有时候她不得不做观众不想看到发生在纽特和蒂娜身上的事情。但这就是身为MACUSA首领。”

瑟拉菲娜的服装

For MACUSA President Seraphina Picquery, Atwood was inspired by an early draft of the script to the character being from Africa. "I thought about West African turbans and showed one to David who said 'that would be amazing.' She also has a dress with the Thunderbird emblem on it, although when she's out in New York, I put her in a more tailored look and a magical coat like Graves, because they're the two more empowered wizards in the story."

对于MACUSA主席瑟拉菲娜·皮奎里，阿特伍德受早期剧本里角色来自非洲的启发。“我想到西非头巾，给大卫展示了一个，他说'太棒了。' 她还穿了一件带有雷鸟标志的裙子，尽管当她在纽约外出时，我给她套上了更加量身定制的装扮和一件像格雷夫斯的巫师外套，因为他们是故事中两个更有权力的巫师。”

 

Magical Congress of the United States of America 美利坚魔法国会

It was open, all seven hundreds and fifty feet of it, with hundreds of windows and light streaming in, giving it a very distinctive character. Allof the operating floors are designed to be below the concourse. There were five or six levels of lower basement, one of which is where Tina and Queenie work.The more menial the job, the lower the level of basement, the more dreadful the conditions.”

“整个750英尺的地方都是开阔的，有成百上千的窗户，光投射进来，赋予它非常鲜明的个性。所有办公楼层均设计为位于大厅下方。地下室有五到六层，其中一层是蒂娜和奎妮工作的地方。工作越微不足道，地下室的楼层越低，情况就越糟。”

A huge four-side barometer hangs from the ceiling, much like a station clock, revealing the current magical exposure levels to No-Majs, with red being the highest.

巨大的四册表悬挂在天花板上，就像车站的时钟一样，揭示当前向麻鸡暴露魔法的水平，红色最高。

 

MACUSA Logo 国会徽标

As seen on the floor of MACUSA's main lobby as well as behind Seraphina Picuqery's throne in the Pentagram Office, the logo for the Magical Congress of the United States was the frist thing created by graphic designers MinaLima for Fantastic Beasts and Where to Find Them using the phoenix, the bird of MACUSA, and the Stars and Stripes which, in 1926, featured just 48 states. "We looked at the Amercian seal, which is an eagle, and wanted it to have that sense of tradition and history Americans are familiar with and expect in an institution," says Miraphora Mina. "We deliberately deconstructed the flag so the 48 stars are breaking away and becoming part ofthe sky in a wizard way, as well as mixing the fire with the shape of the phoenix. But it also could be the wings. Again it needed to be anchored intraditon; it's an institution that has a bit of a dogma compared to the Ministry of Magic."

从MACUSA主大厅的地板以及五角办公室的瑟拉菲娜·皮奎利宝座后面可以看到，美国魔法国会的徽标是图形设计师米娜利马为《神奇动物在哪里》创作的第一件东西，使用了MACUSA的鸟，凤凰和星条旗，这些星条旗在1926年仅代表48个州。“我们看了美国徽章，是一只鹰，我们希望它具有美国人熟悉并期望在一个机构中拥有的传统和历史感，”米拉芙娜·米娜说。“我们故意解构了国旗，因此48星打散开并以巫师的方式成为天空的一部分，火与凤凰的形状混合在一起。但这也可能是翅膀。同时它需要扎根在传统中。与魔法部相比，这是一个有点教条的机构。”

 

Major Investigation Department 重案调查组

The room features a Real Time Hex Indicator which, as its namesuggests, details all magical activity across all forty-eight states of America. 

这个房间设有一个实时咒语指示盘，顾名思义，该指示盘详述了美国48个州的所有魔法活动。

MACUSA Typing Pool 国会打字小组

The original rat memos, cleverly named Memorandum Rodentium, were designed by the graphics team, with the memos flying upwards before scurrying off along the piping to deliver themselves.

原创的老鼠备忘录被巧妙地命名为类鼠备忘录，是由图形团队设计的。备忘录向上飞起，然后沿着管道飞速地运送自己.

"In our world, there are no office workers and the typewriters magically typed the replies to the Wand Applications which were then magically folded and transformed into origami rats."

景总监安娜·平诺克说。“在我们的世界上，没有办公室工作人员，打字员用魔法打上对魔杖申请的答复，然后将其用魔法折叠并转换成折纸老鼠。”

While Tina and Queenie sit opposite each other in the Wand PermitOffice, the sisters desks couldn't be more different: Tina's is neat andordered; Queenie's by contrast is piled high with paperwork, sweet packets and sewing equipment.

蒂娜和奎妮在魔杖许可证办公室面对面坐着，但姐妹俩的书桌别无二致：蒂娜的桌子整洁有序；相反，奎妮的桌子堆满了文件，糖果包和缝纫设备。

MACUSA Death Cell 国会死刑室

Buried in the bowls of the Woolworth Building, in the actual bedrockof Manhattan itself, the Death Chamber is an exceedingly sinister setting."David [Yates] requested a very clinical, cold, austere, frightening place," explains Stuart Craig.

死囚室深埋在曼哈顿基岩中，位于伍尔沃斯大厦的底层，环境极其险恶。“大卫[耶茨]要求一个非常简陋，寒冷，严峻，令人恐惧的地方，”斯图尔特·克雷格解释说。

"There are echoes of Nazi Germany. The corridors leading to the Death Chamber are lined with cast iron panels, a very Brutalist look, and,obviously, completely windowless."

“这里有着纳粹德国的氛围。通往死囚室的走廊两旁衬有铸铁板，具有极具野兽派的外观，而且显然完全没有窗户。”

It's an exercise in architectural brutality. The walls are lined with white marble, but like a mortuary, so it's both clinical and a place for post-mortems. Right above it are massive cast iron beams that are the very foundation of the building. So you are deep, deep deep underground, which helps the secret sinister connotation of the place."

这是对残暴风格建筑的打造。墙壁上衬着白色大理石，但像太平间一样，因此既有医院感又是验尸的地方。在它的正上方是巨大的铸铁梁，是建筑物的基础。所以你位于深不可测在地下，这有助于表现该地方的险恶气息。”

 

Pentagram Offce 五角办公室

"Where it is, is a bit ambiguous," says Stuart Craig," We built it in the middle of the concourse, but you could say it was right at the top of the building. It was a room within a room."

“它的地点有点模棱两可，”斯图尔特·克雷格说。“我们是在大厅中间建造的，你可以说它就在建筑物的顶部。这是一个房间里的一个房间。”

"We need a conference chamber, so we built this Gothic-style debating chamber loosely based on the House of Commons and House of Lords in the UK, but the details are different. Madame Picquery sat at one end, where the speaker in the House of Common sits, on a Dumbledore throne-like seat. Tina was interviewed in the middle of the open floor with everybody bearing down on her from tiered seats. It was good, intimidating space."

“我们需要一个会议厅，因此我们大体在英国下议院和上议院的基础上建造了这个哥特式辩论室，但细节有所不同。皮奎利女士坐在一端的邓布利多宝座般的座位上，众议院院长的位置。蒂娜站在开阔的中间地板接受询问，每个坐在阶梯状座位上的人俯视着她，这是一个很棒的，令人生畏的地方。”

 

Wizard Newspapers 巫师报纸

The New York Ghost is the newspaper of choice for North American witches and wizards. Designed by MinaLima to emulate the US papers of the era, notably The New York Times. The New York Ghost shares the same humorous headlines "WizJazz takes New York by Storm" and silly adverts as seen in the Daily Prophet in Harry Potter. "We brought the same spirit,"says Lima who designed both. Other notable magical publications include The Wizard's Voice and Transfiguration Today, which as stated on the front cover of the latest issue, welcomei ts newest contributor, one Albus Dumbledore.

《纽约幽灵报》是北美巫师的首选报纸。由米娜利马设计以模仿那个时代的美国报纸，尤其是《纽约时报》，《纽约幽灵报》同样有着幽默标题是“巫师爵士风暴席卷纽约”，还有，如哈利波特的《预言家日报》中所见的荒唐广告。“我们带来了相同的精神，”设计两者的利马说。其他值得注意的魔法出版物包括《巫师之声》和《今日变形术》，正如最新一期的封面所述，欢迎其最新的撰稿人：阿不思·邓布利多。

《纽约幽灵报》见此

1926年12月6日

Orator to the Common Wizard

大众巫师的发声者

Inexplicable Events Continue to Mystify

费解的事件仍旧谜团重重

But Are We Being Sheltered From the Truth?

我们是否被隐瞒了真相？

Gellert Grindelwald: Malevolent and Most Wanted Criminal Still at Large

盖勒特·格林德沃：最大的邪恶通缉犯仍逍遥法外

Get Voice in the Voice

在《巫师之声》上发声

Have Your Say

说出你的观点

Send an Owl to 75 Lexington Ave

派猫头鹰到莱星顿林荫道75号

 

New Salem Philanthropic Society 新塞勒姆慈善协会

"In the Harry Potter world, the magical and the non-magical live in harmony," says Katherine Waterston. "They're aware of each other and magic is much more accepted. In 1920s Amercia you find a very divided society. The magical community is very concerned and fearful of being exposed and there are hints throughout of Salem. And although it's not explored in great detail, you see the concern and fear of being exposed, and that is what gets Tina in trouble. By saving someone she exposes herself as a witch."

“在哈利·波特世界中，巫师与非巫师和谐相处。”凯瑟琳·沃特斯说。“他们知道彼此的存在，魔法的接受程度高得多。在1920年代的美国，你会看见一个分隔很大的社会。魔法界非常担心并恐惧被暴露，整部电影都有塞勒姆的暗示。尽管没探索得十分详细，但你会看到对暴露的担心和恐惧，这正是使蒂娜陷入麻烦的原因。通过救某个人，她暴露了自己女巫的身份。”

Ever since the Salem trials which brought about the formation of themagical Congress of the United States of Amercia, the ghosts of those tragicevents have hung darkly over the wizarding community, not least how they areperceived by No-Majs. "They're feared," says Colin Farrell.

自从塞勒姆审判带来了美国魔法国会的成立以来，这些悲惨事件的幽灵笼罩着巫师界，尤其是麻鸡如何看待他们。“[麻鸡]害怕他们，”科林·法瑞尔说。

Consequently, US wizards and witches have been forced underground, compelled to live in a perpetual state of fear and insecurity, with Obliviators on hand to clean up mess if a No-Maj should witness any magic. "They'reliving in plain sight," says Eddie Redmayne. "But they're living inhiding."

因此，美国巫师被迫进入地下，被迫长期处于恐惧和不安的状态，如果麻鸡目睹任何魔法，记忆消除员随时待命去清理混乱。“他们生活在光天化日之下，”埃迪·雷德梅恩说。“但是他们生活在躲藏之中。”

"Samantha Morton's character is suffragette like," says Colin Farrell. "Meaning she demonstrates her will, not her message, because her message is one of intolerance. It's bigotry towards those of the wizard-ilk. Her character is at the forefront of that movement to cast out all wizards from New York. So there's an ongoing persecution taking place that is represented in a very heated, a very violent way."

“萨曼莎·莫顿的角色像是妇女参政权论者，”科林·法瑞尔说。“意味着她展示自己的意志，而不是信息，因为她的信息是不容异议的一种。是对巫师群体的偏见。她的角色处于驱逐纽约所有巫师运动的最前沿。因此，持续的迫害以非常激烈，非常暴力的方式表现出来。”

 

Mary Lou Barebone 玛丽·露·拜尔本

"Mary Lou Barebone is an evangelical character with a strong belief witches exist in New York, and wants to bring that to the attention of Every New Yorker," says director David Yates. "She's an extremist. She represents the darker, broodier, more melancholic aspects of our story. What's Jo's created is a very rich, almost novelistic world with a lot of very diverse colors, emotionally, and she represents this very eerie, strange fringe of the story."

“玛丽·露·拜尔本是一个福音派人物，坚信纽约存在女巫，并希望引起每个纽约人的注意。”导演大卫·耶茨说。“她是一个极端主义者，她代表了我们故事中更黑暗，更沉思，更阴郁的方面。乔创作了一个非常丰富，几乎是小说式的世界，在情感上有着多种多样的色彩，她代表了这个可怖而怪异的故事边缘。”

"It's a complicated relationship," says Jenn Murray of Mary Lou's bond with her adopted brood. "They're all very connected to each other, yet very isolated."

“这是一个复杂的关系，”珍妮·默里对玛丽·露与收养的孩子的关系评价道。“他们非常紧密地联系在一起，却彼此隔绝。”

 

Credence Barebone 克雷登斯·拜尔本

"Credence is someone who doesn't really have a sense of who he is, and suffers from low self-esteem," says David Heyman. "He is adopted and has been abused by his foster parent, and in having his true essence repressed, he is a metaphor for so many people who are denied the right to be who they are.

“克雷登斯是一个对自己的身份没有真正的了解，并遭受自卑感的人。”大卫·海曼表示。“他被收养并被养母虐待，因为自己的真实本质受到压制，他隐喻了许多人，他们被剥夺了成为自己的权利。

"He's a very misunderstood character, seduced by a mentor whowants to take him to a very dark place," states David Yates. "And again he's an outsider trying to find his place in the world, who has very special skills and very special things going on. There's an wonderful humanity in what [Jo writes], a celebration of being who you are without apology and nothiding or trying to disguise everything you can be, not trying to overly conform. Those themes run through Fantastic Beasts and Where to Find Them. She cherishes individuality."

“他是一个很容易被误解的角色，受到一位导师的诱惑，他想带他去一个非常黑暗的境地。”大卫·耶茨说。“同时他是一个局外人，试图在世界上找到自己的位置，他拥有非常特殊的技能，非常特殊的事情发生在他身上。乔描写的表现出一种美妙的人性，赞美了毫无歉意地做自己，并且不隐藏或试图掩饰你可以成为的一切，不试图过度顺从。那些主题贯穿《神奇动物哪里》。她珍视个性。”

"Credence is going through a lot, but we're not aware of what," says Jenn Murray who plays one of his two adopted sisters. "Chastity looks at him as rebellious and not paying attention and not doing things the right way. She fears any time he's out of line, he needs to be put back."

“克雷登斯经历了很多，但我们不知道发生了什么。”詹妮·默里说。“查丝德蒂视他为叛逆，不专心，做事方法不正确。她担心任何时候只要他出格，他都需要被管束回来。”

"Our relationship is quite disturbing," says Miller of Graves."This manipulation will be tangible in this story, and that is part of what's going to make it really dynamic and fascinating. We have fallible humans on all sides, doing what they think is right."

“我们的关系非常令人不安。”米勒评对格雷夫斯评价道。“这种操纵在这个故事中将是切实的，这是使它真正充满活力和令人着迷的部分。每一方都有容易犯错的人，做自认为对的事情。”

Gnarlak 纳尔拉克

"He's got a certain swagger about him," muses Perlman ofhis four-foot high goblin."He's got to be one of the smartest guy in the room. He uses intelligence for unsavory ends. He knows the playing field and,l ike most con men, he knows how to spot people's weakness and exploit them for his own benefit."

“他有种特定的大摇大摆姿态。”佩尔曼思考着他的四英尺高的小妖精。“他肯定是房间里最聪明的人之一。他利用情报来干不光彩的勾当。他了解游戏的棋盘，而且像大多数人诈骗者一样，他知道如何发现人们的弱点并为自己谋取利益。”

The Blind Pig 盲猪酒吧

Inside the club is just as you'd expect: dingy with a series of vaulted brick arches and low ceilings, the walls weeping water through the mortar joints or stained with nicotine, making a "pretty unwholesome, pretty intimidating environment" according to Stuart Craig, who designed it.

酒吧内部正如所期望的：肮脏的，一系列拱形的砖拱和低矮的天花板，墙壁从砂浆接缝处渗水，或沾满尼古丁，“环境相当恶劣”设计它的斯图尔特·克雷格称。

That's not even taking into account the criminally inclined clientele, a motley mix of giants, wizards, goblins, and house-elves "The seedy underbelly of the wizarding world," says Ron Perlman, who plays Gnarlak all of whom are known to MACUSA.

这甚至还没算上犯罪分子：鱼龙混杂的巨人，巫师，妖精和家养小精灵。“乌烟瘴气的地下巫师世界，”罗纳·珀尔曼说。

The presence of Tina, the former Auror, is a little unsettling for everyone up until the moment that posters for Newt and Tina appears, shiftingthe dynamic in the place and putting their lives in danger.

前傲罗蒂娜的到来使每个人都有些不安，直到纽特和蒂娜的海报出现的那一刻，改变了这个地方的态势并使他们的生命收到威胁。